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In January 2008, a graffiti artist from Santiago de Chile, a political science student and journalist Camilo Pinto Undurraga, which had already been in touch with the workshop a year earlier, traveled to Argentina and took classes in mural painting in the workshops of the city Berisso.
As he told us, in Chile there are many places where these skills are taught in addition to young people just get together with aerosols and clandestinely painted the walls of the streets.
The only knowledge they possess is chaotic practice and do not define an ideological stance or advanced to the arrival of the message to all sociedad.Camilo, showed great skill in drawing and design, breaking with the individualistic approach to decorate a tag , to deliver a collective message related to the knowledge of nature and reading for the liberation of man.
<> The Workshop provided a full intensive course, you got a wall centrally located in the city of Berisso, paints, brushes and personalized assistance from the teacher and muralist Cristian Del Vitto.
Plate technique taught in the workshop was the synthetic enamel.
The contents taught in the workshop are contained in this blog and the students have the opportunity to see the preparation of the wall, as are the treatments performed in the image volume, the mix of colors and the harmonic composition of the wall with the architectures urban boundaries.
The intent of the workshop is not to impose a mural on a wall of the city, but on the contrary establish any link with the subject and the place (in this case, the mural is located in front of a public library), and adjoining architecture besides establishing through a field study after the social needs of the environment
In style Plate seek to use the potential and style of the students to pour with a muralist vision of the work.
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Connor took his course at La Tallera, left his mark on the city of Berisso and enriched.
We are confident that the streets of Santiago soon will look to the aesthetics of Cameron, a very thoughtful and clear ideology geared to the social.
The mural can be enjoyed by all and is located on Calle 13 between Avenida Montevideo and Lisbon.
The workshops provide the opportunity to manage WALLS FOR ARTISTS WHO WANT TO HAVE FOREIGN WORKS OUT OF YOUR COUNTRY.
Acknowledgment: A Taube family, for donating his wall and trust, and student and friend Gabriel Berisso Milloc to assist in implementation.
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The primary objective of the workshops, is to bring the mural painting workshop at different places in the world.
No matter the place nor the experience of students.
The mural workshop has two instances:
Theoretical: whose end result is the sketch or sketches escalaPrácica; is for the completion of the mural project in different techniques.
Within the workshop, activities are designated according to the abilities of students.
Not everyone has to learn to draw.
In a team of students there who are investigating who get photographs for the sketches, who draw, paint, flat paint color, paint some more advanced volumes, record activity, etc..
Not everyone has to be superb painters.
Remember also that there are different levels of mural painting workshop initiated ranging from workshops to more academic content.
The important thing is to report that the mural painting workshop to be a public art and the public is open to all.
To contact the service simply has to be run by mail requesting the workshop.
The duration of the seminar varies according to needs and performance quality that is sought.
The workshops are not looking to bring the experience of a mural in different places, but mainly generate muralists groups to become regional reference in terms of culture and social struggle to build a movement that can grow and transcend.
As for the cost of the workshop, the applicant must ensure the materials, the stay of the mural teaching, passages, and payment of the workshop whose price depends on the type of course and duration.
For those interested in technical Sgraffito murals or painting techniques sculptors (polychrome reliefs, inlays, mozaico, others), is the same.
The Workshops. Traveling Mural Workshop offers the possibility also to those who want to learn individually muralist discipline and its secrets, received, in the city of Berisso Province of Buenos Aires Argentina, in the workshop Municipal mural "The workshops Berisso" place where the project is based stable and where classes are also given by Professor Cristian Del Vitto.
In addition it provide students with walls in different parts of the city leave the footprint mural.
Finally it is important to note that the workshop is not just a mural painting workshop, but besides mural, which establishes criteria for public art plastic, with the aim of bringing the message to the people representing the collective and not individual narcissistic.
The mural is just one chapter in the great book of the mural.
This is more complex because it establishes criteria from the Mexican muralist and has tcnico layout composition between the cops found angularity of vision.
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The contents listed below are general contents. Will provide an idea of the topics touched during the workshop.
It's duration will depend on what guided the institution requesting the service may be longer or more complete and bounded.
Among the possibilities are to provide talks with projections of images.
Course muralism theory.
Teórico Práctico.
Course wallcharts techniques to apply.
"WALL OF COURSE"
AGENDA:
- History of Mexican muralismo.Muralismo. Muralism in Argentina.
- Current Sense muralism.
- Differences between a wall and a giant painting.
- The structure of the mural and its relationship to the global space.
- Guidelines for the construction space mural.
- The issue: the characters. Dialogue inside and outside of the wall and its relationship with the viewer.
- Initial notes and sketches.
- The general layout and use of scales.
- The poliangularidad. Practice with sketches. .
- Preparation of a project.
- Characteristics of a project-level and enterprise level.
1st CLASS
- History of muralism. Mexican muralists. Muralism in Argentina.
As a first step is to inform students about the course, as it will work, pointing to it, which types of knowledge will be given and will clarify any doubts that may arise.
Then it will give a talk on the history of the mural, the mural in the pre-Columbian America, the rise of Mexican mural and its impact on Argentina.
They delivered a series of photocopies concerning these issues.
2nd CLASS
Current meaning of the mural
It will discuss the different objectives of the mural as the ages and the differences with the current sense.
Read concepts of different artists.
Will discuss these ideas with ideas of students.
3rd CLASS
DIFFERENCES BETWEEN A WALL AND A
PAINT GIANT
Was appointed the key features that have to have the mural work.
-Respect for the architecture. (Combined work between architect and muralist).
-Management of poliangulares. (Main points of view of the viewer).
-Removal of the Renaissance perspective combinations simultaneous viewing angles of objects and people.
-Adaptation to the environment of the composition of the wall.
Techniques to-reach corners and contradicted in the corners where necessary.
Organization of the reading of the work.
Management-balanced straight lines and curves to give the characters monumentality.
Exaggerations-Escorza in order to give greater strength to the characters.
Rhythm-management structures in the wall that the wall is too static.
-The importance of the durability of the mural.
-Relationship between size of the image and the viewer
(Illustrative).
Management-figuration so that the work can be interpreted by all social groups.
4th CLASS
THE STRUCTURE OF THE WALL AND ITS RELATION TO THE GLOBAL.
SPACE GUIDELINES FOR THE CONSTRUCTION OF A WALL.
This class will focus on managing the architecture of the wall:
-Use of the outgoing (ochava, columns, angles, etc).
-Use of parables ..
Finally be taken into account:
Relationship-adjacent forms (buildings, trees, sidewalks, etc.)..
-Link with the surrounding colors.
Study of the main points of view.
Study the route of the spectator.
5th Class
THE ISSUE: THE CHARACTERS. FOREIGN AFFAIRS AND THE DIALOGUE AND ITS RELATION WITH THE SPECTATOR.
Students choose one of the city wall.
This wall must have a relationship with the subject in which the sketch work. (Regarding the history of this area, with a character recognition, with an industry or enterprise, institution, etc.)..
The mural will have to last us to treat the topic (history, people who had to do with it, objects, etc..), Present (which is what is happening with the issue today, technological advances, some problems with current respect to the subject, etc.). and finally have to tell us the future (which is what we hope for society to this theme, projects, desires, etc.).
To establish a dialogue not only inside the wall, but an external, we study the behavior of the pedestrian observer, what are their customs in this site, where it stops, etc..
This is done to create a mural inside the continuation of such actions and thus create a stake of as a transient character of the mural.
6th CLASS
FIRST SKETCHES AND NOTES
In this class students will be directed to the wall chosen to draw the architecture of the same in its main points of view (at least three), draw pictures and record the main behavior of pedestrians.
Simultaneously investigate mural on the theme of the written and photographic data collection.
7th CLASS
THE POLIANGULARIDAD. PRACTICE WITH SKETCHES
An explanation is that the poliangularidad is illustrated by works of the authors will be observed on different walls poliangulares way of being exploited for the realization of the general layout.
8th CLASS
GENERAL SKETCH OF CONDUCT AND USE OF SCALES
Once collected everything is written the script of the wall and will start the implementation of the layout.
We will work with the outline of the steps taken earlier in scale.
If necessary, explain how to work with scales.
The general layout should be done with color materials that will be a choice for students.
9th CLASS
PREPARATION OF THE WALL
This class will be examples of projects and also meet the requirements to petition for big business on its premises works murals.
Finally students will undertake a group project, this project will serve to further the implementation of the mural and presenting it to the appropriate authorities for possible implementation.
NOTE:
The seminar will be delivered has been approved by the general layout and the finished project.
WORKSHOP AND TECHNIQUES Mural
AGENDA:
- Technique of synthetic enamel.
Preparation of the wall.
Tools and materials.
Methods of transferring the image of the layout of an area larger.
Treatments mural painting of the image.
Types of membership.
- Technical high relief cement enamel.
Preparation of the Wall.
Preparation of the structures of the reliefs.
Materials, proportions tools.
Ceramic inlay technique.
Preparation of the wall.
Materials, tools.
Objectives:
Perform a wall in the above techniques to provide students with the future possibility of being able to apply them separately or simultaneously.
Provide a range of opportunities to promote works in different urban areas and economic opportunities.
Muralism bring to society in a clear language for all social classes in order to invite the collective reflection, preserving the identity of peoples and their history.
Create a work of public art noninvasive that relates to urban space and architecture.
The mural will respond to the interests of the collective of the place from a previous study of field and not subject to individual personality of the students.
ACTIVITIES:
Once the theoretical stage with the sketch color scale will be working on the wall for which the students did the project.
Prepare the surface to paint and to establish areas of work to use different techniques, different stages of guideline implementation.
It will work different materials and tools for acquiring knowledge in various technical treatments of the mural image different from one another and choosing the most consistent identity for your personal style.
Students attended the mural made by the Master at all times.
NOTE:
Working hours will be stipulated in the wall according to weather conditions.
The course will conclude with the completion of the mural on the public delivery of a folder containing:
Data - the students, writing the draft of the mural, color copy of the sketch, a photograph of the completed mural.
At the end of the current will be given to students with the certification authority's signature cultural settled municipal assistance leaving the course and conduct of the work, leaving her a gift to the city.
The primary objective of the workshop is to bring the mural workshop at different sites in the world.
No matter the place, nor the experience of students.
Muralism The seminar has two instances:
Theoretical whose end result is the sketch or sketches escalaPrácica; is to the completion of the mural project in different techniques.
Within the development of the workshop activities are designated according to the ability of students.
Not all have to learn to draw.
In a team of students who are researchers, who obtained photographic material for the sketches, who draw, paint, painted surfaces for color, others more advanced paint volumes, record the activity, etc..
Not everyone has to be superb painters.
It is also worth noting that there are different levels of muralism workshop brought up, ranging from workshops with more academic content.
The important thing is to inform the workshop muralism as a public art and the public is open to all.
To contact the service simply has to direct mail by requesting the workshop.
The duration of the seminar varies depending on the needs and quality of execution is intended.
The workshop seeks to bring the experience not to make a wall in different places, but mainly groups generate muralists become regional reference in terms of culture and social struggle to build a movement that can grow and transcend.
As for the cost of the workshop, the applicant must ensure that materials, teacher's stay muralist, passages, and the payment of the workshop whose price depends on the type of course and its duration.
For those interested in murals in technique or techniques scouting pictorial graffito (polychrome reliefs, inlays, Mozaic, others), it is the same.
The workshops. Traveling Mural Workshop provides an opportunity for those who want to learn as an individual discipline muralist and its secrets, received Berisso in the city of Buenos Aires Province of Argentina, in the workshop Municipal Muralism "The workshops Berisso" where the project is stable and where classes are given by Professor Cristian Del Vitto.
It also offered to students in different walls of the city a trace muralist.
Finally it is important to clarify that the workshop is not just paint a mural, but also muralism, establishing criteria plasticos public art, to bring the message to the people representing the collective and not individual Narcicista.
The mural is just one chapter in the great book of the mural.
This is more complex because it establishes criteria of Mexican mural painting and holds membership diagramming techniques which include the poly angularity of vision.
Cristian Del Vitto, muralist based in the city of Berisso province of Buenos Aires, Argentina, is a professor of specialties, drawing, painting and sculpture.
In the 96 years starting as a muralist in the city, working steadily and making far more than 70 murals in different techniques, at home and abroad.
In 1998 won the First Prize in the Provincial Hall mural of the city of COAP Berisso.
In 2000 performed the first mural in the city of graffito Berisso.
In 2001, personally known to the master Italo Grassi, founder of the National Wall of Argentina and joins the ranks of that movement. This makes travel to different places permanently, as part of meetings muralists and leaving work in institutions and public places.
Travel so much and put it to feel the reality in the field of public art and murals in the country, this makes them worry about the study and theory about the mural, running on different national and international concepts of the discipline mural .
Joined this creates two mural projects at national and provincial levels. The project "Murals in PATH, a character completely free, which aims to defend the history and identity of the proposed locations of the mural as a historical, educational, political and social struggle against the hybrid culture that generates globalization. And the draft WORKSHOP ITINERANT murals, to bring content and concepts of the mural to the sites that it calls.
So in 2007 he was invited to Santiago de Chile to offer a seminar at the commune where he taught a Penalolen brigades muralists including "Good Morning America," renowned for its performance in cultural activities in addition to the completion of murals throughout Chile. It is here where he teaches the technique and carried out the first graffito graffito DE SANTIAGO DE CHILE AND THE CENTRAL AREA, running the mural "Copper Workers," in the house of Penalolen Switzerland.
It's the same year that opens in Berisso Workshop muralism "THE WORKSHOP" whose name is in homage to the workshop Siqueiros in Mexico, his most admired muralist.
Students from various parts of the country and abroad attended the workshop muralism, because there are few places where muralism teach techniques and provide specific content of the material.
Among other places where taught mural is the Art School Villa Maria Cordova site that also taught the art of wall graffito. Was conducted in 2008 within the framework of a seminar on graffito FIRST MURAL OF VILLA MARIA, leaving behind a litter of students and teachers today are related in terms of local muralism and technical name.
